Feedback from International Students at the Globe:
'Insanely fun and marvellously informative.'
'Vocal magic.'
'Thank you for showing me that it is possible to make sense (of Shakespeare)... I'm not scared anymore'
'Magical - your insights and exercises were beyond helpful.'
Feedback from Directors' Workshop at Shakespeare's Globe:
'A very gifted teacher with excellent exercises that I can offer my actors.'
'Sarah is a legend! I have little experience in voice, but I learned so much! From being in the space inside and then applying what we learned / experienced on the Globe Stage was amazing. I was amazed by what we achieved in such a short time.'
'The physical work made it easier working with each other and a group – this might be helpful for the group on the first day.'
Feedback from Teachers' Workshop participants at Shakespeare's Globe:
'Truly amazing. Thank you for your warmth, love, enthusiasm, and deep knowledge of the human condition.'
'Thank you in advance for saving my voice next year and for years to come.'
'Inspirational.'
Private clients:
'Brilliant! Full of knowledge and support; a fantastic teacher.' Business client
'Sarah is lovely, funny and humorous! Perfect pace to the sessions.' Private client
'Outstanding.' One-to-one client
'Knowledgeable, non-judgmental, created a really supportive space. A delightful teacher.' Business client
Feedback from participants on the Leatss Summer School, Belgium:
'My work with Sarah showed me that the voice is the vehicle through which we convey true emotion. I learned how our whole body is in fact part of our voice and therefore how to work body and voice as one.' Flavia, Portugal
'I feel like my throat is a foot wide and my chest is a bathtub!' Mike, Luxembourg
'Her deep knowledge about Shakespeare and Restoration helped the students to understand the text from the inside out while the voice work set them free. As a foreigner, the classical language was a huge challenge, but Sarah's class was a safe place to try out without the pressure of being good. Also, she always found something positive on our readings or "performances".' Lia, Portugal
'I have been privileged to be part of a course led by Sarah Case. Her incredible use of vocalisation allows you to find your way to a character. It was so liberating. This gifted teacher made everyone feel at ease and provided a safe environment for us to experiment with our own voices. I have often struggled to breathe properly when reciting Shakespeare, but even more I
really got to understand, through the breathing, the emotional state of Richard at that moment. Thank you Sarah.' Steve
'I was made very aware of the symbiosis of voice, breath and that elusive core sense of being we label "psyche" or "personality". I am sure I would not be alone in describing Sarah's course as both educational and healing.' Janine
'Sarah's excellent voice course gave me a set of tools to continue to develop my stage voice, and also gave me new insights into reading and preparing text.' Steve
'What a joy to work with Sarah Case. I realise now I've never breathed properly and using her techniques, I plan to change that. Sarah also showed us a number of ways in which how we hold our body or breath can impact on how we speak or articulate: really insightful. We had amazing fun and made some fabulous discoveries about Shakespeare stock characters, playing around in so many delightful ways that every session was increasingly inspiring. I had huge fun, and learnt a heck of a lot. I also felt like a giraffe and will never cross my legs again.' Susie, Luxembourg
Feedback from directors:
'Sarah's work has informed my work in the profession for the last 10 years as an actor and now a director.'
Ed Burnside, Director
'As a director I collaborated with Sarah on several group devised theatre productions and co-taught with her on a vocational 3 year drama degree course for South Bank University. Sarah is rigorous and brilliant at freeing and transforming actors' voices, both technically and imaginatively. As well as working on all the things you would imagine a voice practitioner to be able to facilitate in relation to voice production, speech, locating an age etc., she would also create the most wonderful sound scores, a kind of Foleys expert using the voice alone. She has an amazing ear and insight into the mechanics of sound. I wouldn't hesitate to recommend her as a collaborator or teacher.'
Sarah Fahie
Opera Associate Director/Movement Director/Choreographer
'Sarah has many years experience working with young professional actors. Her skill level both in technical and artistic areas is excellent. She is a woman of the highest artistic integrity with great flair and imagination. Sarah is a strong leader but also the ultimate team player possessing a good sense of humour and an ability to listen and help shape ideas; a wonderful member of the ensemble.'
Sue Colgrave
Freelance Director/ Professional Acting Coach
'I have worked with Sarah Case on a number of plays and I find her an invaluable support on voice and text. She is able to interpret the needs of the director and the play and help the actor to achieve fluency and control.'
Aoife Smyth
Theatre Director
'Insanely fun and marvellously informative.'
'Vocal magic.'
'Thank you for showing me that it is possible to make sense (of Shakespeare)... I'm not scared anymore'
'Magical - your insights and exercises were beyond helpful.'
Feedback from Directors' Workshop at Shakespeare's Globe:
'A very gifted teacher with excellent exercises that I can offer my actors.'
'Sarah is a legend! I have little experience in voice, but I learned so much! From being in the space inside and then applying what we learned / experienced on the Globe Stage was amazing. I was amazed by what we achieved in such a short time.'
'The physical work made it easier working with each other and a group – this might be helpful for the group on the first day.'
Feedback from Teachers' Workshop participants at Shakespeare's Globe:
'Truly amazing. Thank you for your warmth, love, enthusiasm, and deep knowledge of the human condition.'
'Thank you in advance for saving my voice next year and for years to come.'
'Inspirational.'
Private clients:
'Brilliant! Full of knowledge and support; a fantastic teacher.' Business client
'Sarah is lovely, funny and humorous! Perfect pace to the sessions.' Private client
'Outstanding.' One-to-one client
'Knowledgeable, non-judgmental, created a really supportive space. A delightful teacher.' Business client
Feedback from participants on the Leatss Summer School, Belgium:
'My work with Sarah showed me that the voice is the vehicle through which we convey true emotion. I learned how our whole body is in fact part of our voice and therefore how to work body and voice as one.' Flavia, Portugal
'I feel like my throat is a foot wide and my chest is a bathtub!' Mike, Luxembourg
'Her deep knowledge about Shakespeare and Restoration helped the students to understand the text from the inside out while the voice work set them free. As a foreigner, the classical language was a huge challenge, but Sarah's class was a safe place to try out without the pressure of being good. Also, she always found something positive on our readings or "performances".' Lia, Portugal
'I have been privileged to be part of a course led by Sarah Case. Her incredible use of vocalisation allows you to find your way to a character. It was so liberating. This gifted teacher made everyone feel at ease and provided a safe environment for us to experiment with our own voices. I have often struggled to breathe properly when reciting Shakespeare, but even more I
really got to understand, through the breathing, the emotional state of Richard at that moment. Thank you Sarah.' Steve
'I was made very aware of the symbiosis of voice, breath and that elusive core sense of being we label "psyche" or "personality". I am sure I would not be alone in describing Sarah's course as both educational and healing.' Janine
'Sarah's excellent voice course gave me a set of tools to continue to develop my stage voice, and also gave me new insights into reading and preparing text.' Steve
'What a joy to work with Sarah Case. I realise now I've never breathed properly and using her techniques, I plan to change that. Sarah also showed us a number of ways in which how we hold our body or breath can impact on how we speak or articulate: really insightful. We had amazing fun and made some fabulous discoveries about Shakespeare stock characters, playing around in so many delightful ways that every session was increasingly inspiring. I had huge fun, and learnt a heck of a lot. I also felt like a giraffe and will never cross my legs again.' Susie, Luxembourg
Feedback from directors:
'Sarah's work has informed my work in the profession for the last 10 years as an actor and now a director.'
Ed Burnside, Director
'As a director I collaborated with Sarah on several group devised theatre productions and co-taught with her on a vocational 3 year drama degree course for South Bank University. Sarah is rigorous and brilliant at freeing and transforming actors' voices, both technically and imaginatively. As well as working on all the things you would imagine a voice practitioner to be able to facilitate in relation to voice production, speech, locating an age etc., she would also create the most wonderful sound scores, a kind of Foleys expert using the voice alone. She has an amazing ear and insight into the mechanics of sound. I wouldn't hesitate to recommend her as a collaborator or teacher.'
Sarah Fahie
Opera Associate Director/Movement Director/Choreographer
'Sarah has many years experience working with young professional actors. Her skill level both in technical and artistic areas is excellent. She is a woman of the highest artistic integrity with great flair and imagination. Sarah is a strong leader but also the ultimate team player possessing a good sense of humour and an ability to listen and help shape ideas; a wonderful member of the ensemble.'
Sue Colgrave
Freelance Director/ Professional Acting Coach
'I have worked with Sarah Case on a number of plays and I find her an invaluable support on voice and text. She is able to interpret the needs of the director and the play and help the actor to achieve fluency and control.'
Aoife Smyth
Theatre Director